Saturday, 17 September 2016

The Dark Side of the Fandom







Hey everyone, I wanted to talk to you today about something a bit more serious. In terms of mainstream acceptance and sheer scale of dissemination through popular culture, it has never been a better time to carry the title of ‘nerd’ or ‘geek’. If you look at the films with the highest grossing openings, not only are the top three spots held by geek culture movies (Star Wars: The Force Awakens, Jurassic World, and The Avengers) but in fact the top thirteen places are held by films within the genre, only interrupted by Furious 7. You can walk into any Target, Spencer’s even Wal-Mart and easily find a plethora of clothing, accessories, and collectibles to proudly proclaim your love of all things geeky. Conventions are huge and plentiful, with cons like E3, the New York Toy Fair, and San Diego Comic Con becoming entities unto themselves as places of premiere news, trailers, and announcements to both geek and mainstream media. We made it guys, widespread acceptance!  
                So why does it feel like we’re more divided as a community than ever? When we should be united in celebration of our ascension we instead argue internally, warring like petty generals after the death of a conqueror. So I want to discuss what seem to be the pertinent points that cause this divide, and perhaps in recognizing these faults we can prevent them from tearing us apart from within. 

1.       Nostalgia 

Nostalgia is a powerful tool. It’s also one that carries a double edge. It’s why franchises of any sort continue, because it provides a connection to the audience over time. Without that connection, without that fond remembrance of that show, or movie, or game, or band that you love or have loved, you wouldn’t feel the need to revisit it. You wouldn’t feel any of the same excitement about a new venture within that universe without it. And whether wielded deftly to fit organically into the new entry (The Force Awakens), or bludgeoning you with it like a wildly swinging crutch (Jurassic World), it has an effect. Unfortunately, the other edge of the blade is having such a nostalgic attachment to something that any change or new idea is seen as sacrilege and a ‘ruining’ of something beloved. This is not entirely without merit: reboots fail, new entries or forays into different media flop, and new characters fall short of the originals. That being said, doing nothing new invites stagnation, and a slow death to the thing you love and hold so dear to. You see it in all fandoms and even genres (looking at you, music), the purists, the die-hards. If you do something different then it’s the end of the world, but if you do the same thing over and over again then you’ve got nothing interesting to say or do anymore. But in reality, every franchise, every character, every band has that one entry or song or story that is a bit different compared to the rest. But that in itself isn’t a bad thing. Some of us like those weird one-off stories or albums, even if the rest of the fandom doesn’t. As amazing as nostalgia is as a force, it can also make for a no-win situation.


2.       Making It Too Personal


We all have things we are passionate about, that goes without saying at this point. What we do need to remember is that not everyone loves what you love as much as you do. In fact, many people will love other things just as much as you love your things. And that is great! Diversity! Until you get too wrapped up in your own little bubble and forget that. Then unpleasant things happen, like personal attacks and conspiracy theories. One I heard a lot over the summer was how Disney/Marvel was paying people to write bad reviews for Batman vs. Superman (as if that ship wasn’t sinking just fine on its own), because Heaven forbid you criticize something that someone else loves. Now I can’t pretend to speak for anyone else, but when I wrote my review(s) for that film, I was up front about the issues I had with it. Not because I wanted to give it a bad review, or because I hated it, or because I was being paid by the competition to do so. I wrote the review I did because I wanted to illustrate how much better the movie could have been, because I wanted to love it. A good review will provide you with both the positive and the negative aspects of a film (or game, album, etc.). A review should be something you can use to determine whether or not a piece of media is for you, but not your only deciding factor. Because ultimately a review is only another person’s opinion.  Unfortunately some people (for reasons I’ll elaborate on later) see this as a personal attack, that by criticizing something they are passionate about, you are criticizing them directly. That brings me to my next point:

3.       She Blinded Me with Fandom!

We’ve all been guilty of it. We defend a subpar product because we (want to) love it or love its associated franchise. Or conversely, we irrationally hate another because it is part of a different franchise that we don’t like. When we blind ourselves with our fandom, we lose our ability to be objective. It is absolutely possible to love something while still recognizing its flaws, and there’s nothing wrong with that. All art is subjective, after all, and there’s nothing wrong with enjoying something even if it isn’t ‘perfect’. Many people vehemently love and defend the film Avatar, regardless of the fact that under the video-game flash of effects, it’s a bland story better done in Fern Gully  or The Last Samurai. But neither side is truly right or wrong, and we have to learn to agree to disagree. The other side to that is to hate something because you’ve already made up your mind to hate it. A reaction like this, when disseminated onto the Internet, can quickly become a conflagration. A prime example of this came just this summer with the new Ghostbusters film. A reboot with a gender-switched cast? Apparently that is a blow to the nostalgias and egos of fans so severe that it warranted a veritable tsunami of crap that lasted for months. So many refused to not only give the film a chance, but went out of their way to do what they could to sabotage it, from attacking the cast and director online, to downvoting the trailer and outright flagging comments that were even the tiniest bit positive. It was a truly disgusting display for a film that turned out to be (as far as reboots go) actually not too bad, dare I even say enjoyable in its own way. Does it come close to the original? No, but no film will. Even Ghostbuster’s own sequel, with all the original players, couldn’t. But neither does it tarnish the integrity of the originals. Unless it could somehow retroactively change them to make them bad (looking at you, Star Wars special editions), but can that truly destroy what you love? If I can deal with the jarring CG buildings added to Cloud City, you can deal with this. Just as an aside, who decided that Ghostbusters was a sacred property that could not be touched? I have never seen a reaction like this from a fandom. Just because the story didn’t go along with what you wanted it to be, doesn’t mean it’s wrong. I’m not super happy about how Han and Leia were apart by Force Awakens and that things with Luke had gone the way they did, but it’s not my story to tell. Now I’m waiting to see what comes next. Headcanons are a whole other topic, so I’m just going to leave that with a line from a certain song: ‘you can’t always get what you want’.  ead

4.       No Casuals Allowed!

    This is a term I hear mainly in the gaming community, but it has further application than that. The idea that someone is somehow ‘less’ of a fan because they don’t eat, breathe, sleep, and have tattooed themselves with some aspect of the franchise. Forgetting of course that the ultimate goal of a franchise or property is (along with telling a story) to attract fans and thus make money. There is no hierarchy of fans, that someone started listening to Dragonforce because of Guitar Hero is less of a fan than someone who bought their first disc on release day. How you find a fandom doesn’t determine how ‘good’ or ‘true’ of a fan you are. There are no ‘fake’ fans: not for how you found it, not for how deeply you are into it, and certainly not because of your gender. It’s an argument that seems to indicate that somehow new fans will somehow sully the franchise. That there is only one true or pure way to be a fan of something. And I don’t think I need to tell anyone with common sense how ridiculous that is. If something doesn’t have the widespread exposure, it’s difficult to find new fans. But give it that exposure, and you’ll see a huge change. Jumping on a bandwagon doesn’t necessarily mean it’s for a fad, it can be a great stepping-stone to discovering something you really like. How popular was Iron Man before the MCU films? Certainly not at the level of Spider-Man or the X-Men. And his popularity has exploded, and without needing to sift through multiple decades of material first. This also leads me back to the criticism of a loved franchise. When a movie or a game doesn’t do well, and when people criticize it, the default is to say ‘they just didn’t get it’. You thought that movie plot was over complicated and nonsensical? You just didn’t get it. And that’s ridiculous and insulting. That assumes that other people are somehow stupid or oblivious because they didn’t like or have issues with your thing. Instead of attacking, we should be discussing. Is there something that was missed? Are we getting too attached to see the flaws? Will fighting over it really help? Why are we trying to alienate potential new fans of something we love and want to see continue?

So what can we conclude from this? Is it really so simple as we all need to take a step back, calm down, and just stop being jerks to one another? Maybe. Have we drawn such deep dividing lines that it’s hard to extend that olive branch? Often, yes. As I said in my opening, it’s never been a better time to be a geek. We need to not fall into the stereotypes, we need to embrace the people that are finding or finding their way back to us from all walks of life. We need to stop painting ourselves in such an ugly light and celebrate that, while we have our differences, we are united in our love for our nerdness.
What do you guys think? Is there a solution, or have we gone too far? There’s a lot thrown out here, a lot of thoughts and musings about the state of the community, so I want to hear what you think. Am I seeing things are worse than they are? As always, let me know in the comments!    

Thursday, 8 September 2016

SUMMER MOVIE ROUND-UP!

Ah, September. Kids are back to school, it’s cooler in the mornings, and people like myself are already three months into Halloween planning. But now is that time that people also look back and reflect on the summer movie run for the year. So let’s take a look at a sample of what this year had to offer from May-August. Now, my list is a bit short, and will be missing some obvious entries. We live pretty far from the closest theater so we don’t get a chance to see everything. So here’s what we have, in order of release (and spoiler-free!):


  1. Captain America- Civil War



What can be said about this film that hasn’t already been said? Great action, a culmination of the MCU storyline thus far, and great performances. This includes the fantastic new characters, such as Tom Holland’s Spider-Man and Chadwick Boseman’s Black Panther, both of which make you wishing that their solo projects were releasing sooner. And who didn’t love the airport fight? While it didn’t have the shocking story twist of Winter Soldier, it was definitely a worthy successor. As far as overall storylines in movies, Captain America really seems to have the best one in the MCU.


  1. X-Men: Apocalypse

This one was not as popular as Civil War, and I didn’t quite understand why. It’s certainly different from its MCU counterpart, but I didn’t think that was a bad thing. To me, it was more in line with the original X-Men films, and while perhaps not as good as First Class or Days of Future Past, it was still everything I wanted out of the film. Everyone gave excellent performances that I found true to character (though Mystisque was channeling Katniss Everdeen a bit too much), with the obvious standout performance belonging to Michael Fassbender. A lot of fun, with some cool easter eggs for the fans.


  1. Warcraft


Okay, do we want to talk about movies that were horribly maligned? Well, here’s a good one to start us off. Confession time, I was a World of Warcraft player for a long time, but I never had the depth of lore knowledge that I do for other game universes. Even still, I had an idea more or less of what was happening in this film. Contrast that to my husband, who had no clue what was going on, and yet we both still came out of this one wanting to see it again. Forget the humans, this movie belongs to Durotan and the orcs. If you remember that, you’re going to do well. Added this is how awesome the thing looks; it’s gorgeous with some really fantastic cinematography. I’m glad it did well elsewhere in the world.


3.5.  10 Cloverfield Lane

This one is a half-entry because it came out on DVD/Blu-Ray in summer after releasing in theatres earlier this year, but I really want to mention it. We actually saw this one the night before we saw Batman vs. Superman, and… wow. This movie was incredible. It was tense, claustrophobic, and utterly riveting. Someone needs to give John Goodman an award (or several) for his performance. I don’t remember the last time I was so invested in and yet so uncomfortable watching as character as I was watching him in this film. I even loved the ending, it was weird but at the same time you see Mary Elizabeth Winstead’s character really come into her own between the climax and the film’s end. If you haven’t seen it, go see it.


  1. Finding Dory


There’s a trend of sequels being made long after the original films’ release. This year the latest entrant into that club was Finding Dory. And…. Well, we were actually kind of disappointed with this one. There’s no shortage of love for Finding Nemo in our house, but this one was just kind of… flat. It lacked a lot of the humor of the original, and seemed to go more for the Inside out/ UP gut-punch feels whenever it could. Even the new characters lacked a lot of the magic from the first. It did, however, run a short before the movie called Piper. And this was one of the most adorable, most visually stunning things I have seen in a theater. I can’t even describe how incredible the animation was, it must be seen to be understood, and the picture below hardly does it justice.



  1. Ghostbusters


Okay, forget everything I said about much maligned movies and long waits for sequels/reboots. This is all of that, in one. I made it no secret that I was willing to give this one a chance and see what it had to say before slamming it. And what we got was a pretty good movie that was funny (though not as much and in a different way from the original) and that I actually had some fun with. It did not deserve the hate it got, and the crap that followed it for months prior to release. The characters were much better than the trailers made them out to be, and it was by far one on the better side of the remake scale.

  1. The Killing Joke


This is an entry that I didn’t see in theaters, but was one I was highly anticipating ever since I heard it was being made. The result? An odd bag. The first half hour was good on its own, but contributes almost nothing to the overall story. You can skip it and not miss anything, although it does fare better on a second watch. But once it starts the main story, it’s beautifully faithful to its source. Kevin Conroy and Mark Hamill are Batman and the Joker as far as I’m concerned, and seeing them take on this story was a treat. I love that they're already teasing more for the future.

  1. Jason Bourne


I haven’t actually seen any of the other Bourne films, and the way I saw this one was somewhat unorthodox, so bear with me. We actually saw this at a drive-in theater about mid-end of August. We were camping at said drive-in, and not far into the movie I took our kids to bed because they were tired and bored. So, I sat outside our tent and watched the rest of the film, mostly without sound. I could still follow what was happening, but the subtler dialogue was lost on me. It still seemed pretty good, I liked it visually at least. The fight scenes I thought were really well done and the action overall was really good and not too shaky or hard to follow. I’m told (by my other half who watched the rest of it with sound) the story was a bit meh, and more or less similar to the second film. So, perhaps in this case, the experience made the movie more interesting than it was.

  1. Suicide Squad


Once again, we went in to see what the DCEU was going to give us this time. Though my expectations for this film weren’t terribly high, it was actually a pretty fun movie. It was a weird mix of Batman vs. Superman gritty and Guardians of the Galaxy goofiness, and was more like the latter in that it was actually entertaining. Character development is very uneven and it’s a bit choppy, but that could be the editing or the reshoots. It was a step in the right direction at least, and the mid-credit stinger was a good one.   

So that’s all the movies I saw this summer. There were a couple of others that the other half saw that I didn’t get a chance to go to. These were (in his words): Angry Birds (awful), Teenage Mutant Ninja Turtles: Out of the Shadows (better than the first but can see why some wouldn’t like it), and Independence Day: Resurgence (why was this made?). We completely missed a few big ones, like Star Trek: Beyond (and I’m a Trek fan!) and The Legend of Tarzan, but will probably catch these and the other ones we missed on video. Overall, it was kind of an odd summer for movies. We didn’t have that one bit standout that makes all the money the way Jurassic World did last summer, and in fact the box office was pretty lackluster in the whole May-August run. I guess it’s fitting then, that we bid farewell to the 2016 summer movie season with more a shrug than a bang and look to the fall and end of the year releases. As for myself, I’m morbidly curious about Magnificent Seven, half-and-half on Storks, and genuinely excited for Doctor Strange, Assassin’s Creed, and Rogue One: A Star Wars Story. What are you guys looking forward to as we head into fall? A big tent-pole film? Something smaller? Let me know down below, I’d love to hear what movie is getting you excited to head to the theater!

Thursday, 1 September 2016

Sabaton- The Last Stand Album Review



So  a surprise showed up in the mail on Monday (courtesy of the Cynic) while I was deciding on blog post ideas. 





And, that pretty much made my decision for me on what to write about. It’s no secret that I’m a huge fan of the band, even going so far as to use them as inspiration on Hero Machine more than once.


 
Here's Coat of Arms, for example


 For anyone not familiar, Sabaton is a Swedish power-metal band whose lyrical content is based on military history. They tend to gravitate toward the two world wars, but also dedicated an entire album to the Swedish Empire (Carolus Rex) and another to songs reflecting the ideas of Sun Tzu (The Art of War). As the title implies, The Last Stand is an album detailing various last stands and last ditch efforts throughout the history of war. So with that, let’s see what we have. Do bear in mind during this review that I don’t really have knowledge about the technical aspects of music so I’m looking at this from an aesthetic perspective; how it sounds and how it makes you feel when you listen to it. 
            The first thing I noticed was that this album has a lot of diversity in subject matter. There are two songs, Last Dying Breath and The Lost Battalion which are taken from the First World War. The latter of which is preceded by the ominous spoken Diary of an Unknown Soldier, which features Iced Earth’s Jon Schaffer providing the narration. For WWII, there is only one entry, The Last Battle. The rest of the songs cross a large range of time and settings, from the opener, arguably one of the most famous last stands in history (Sparta), to the Anglo-Zulu War (Rorke’s Drift), the end of the samurai (Shiroyama), and the Soviet-Afghan War (Hill 3234). It was refreshing to see the band tackle subjects from outside their usual repertoire and go further into history.
            The second thing I noticed was how diverse the songs themselves are. As far as Sabaton goes, I’ve never had the problem of their songs all running together and sounding the same. So it was nice to see that trend continued. While there is the common thread of the theme running through the songs, each one is very distinct and individual in sound. And somehow, it all works. I don’t ever find the song transitions to be jarring, despite the disparate tones. There was, however, one overarching element that the songs had, and it was something pretty much absent from their last album: keyboards. I’m talking big, snyth-y, out-in-front keyboards. There’s the big, 80’s vibe on The Last Battle, the decidedly Deep Purplish feel of Blood of Bannockburn, to the dark drum/synth combination of Lost Battalion that reminds me a lot of something like Judas Priest’s Blood Red Skies. It might not be to everyone’s taste, but I was glad to see it back.
            There is one final thing I want to touch on before giving my final verdict. Now generally Sabaton will include a cover or two at the end of their albums (or at least most versions), and they are generally really excellently done. They tend to follow Sabaton’s ‘theme’, such In the Army Now, For Whom the Bell Tolls, or Twilight of the Thunder God. My version came with two covers: Camouflage, originally by Stan Ridgway, and All Guns Blazing, originally by Judas Priest. I’d not heard Camouflage before, and we listened to the original after to see how the two compared. Between this and In the Army Now, it amazes me how Sabaton takes these New Wave (anti-)war songs and injects them with so much life and energy. Nothing against the originals, but there’s so much more power in these covers. Now obviously, I was already familiar with All Guns Blazing, being a song from the album Painkiller (fun fact: it has the record for longest and most consistent play time in my car of any album ever). And this cover… the only way I can describe it is to say it’s the absolute weirdest and most amazing thing ever. One part of that is guitarist Thobbe Englund’s distorted co-vocals beside frontman Joakim Broden’s deep, powerful voice. It’s not going to be to everyone’s taste and I can understand that, but I thought it was so cool.
            So in conclusion, what do I think of The Last Stand? In a word: superb. Big, powerful songs that are ridiculously catchy and fire you up when you listen to them. Honestly. Listen to Winged Hussars and tell me you don’t feel amazing afterward. It doesn’t unseat my favorite Sabaton album (Carolus Rex), but it’s pretty much on par. And not only that, but these are real events, you learn something listening to this. Metal that teaches you history? That’s pretty much perfect in my book.   
9.5/10